Wednesday, December 7, 2011

PEARL HARBOR

Yes, I remember. Charley Merserve and I had come to his house for a weekend off from Fryeburg Academy. Here is a poem published years ago in Galley Sail Review — with a few current changes.



Jackson, New Hampshire: Sun., Dec. 7, 1941

Visiting at Charley's house (hymns from
the radio on the nightstand between
twin beds) as we discussed the diminished
possibility of still being give breakfast
when down the air waves, but not from
Marathon, the runner came and in that
white-painted, sun-drenched room above
a yard brilliant with the fresh snow 
we'd taken a weekend from school
to explore we both were suddenly 
Athenian (or was it Spartans) and
quicker than thought, as our fathers
had taught us, we said we'd come.

We didn't wait for Pheidippides, the
runner to come, to tell us we'd won.
********
And here, after 70 years, we wait again
for the runner's spirit to appear and
tell us, if we've not won, we're done.

Monday, December 5, 2011

MEMORY


What We Hear

As he reads I want to know more  
about him so I imagine a home,
a history, while waiting for the final
words of a long poem that reminds me
of long ago Christmas oranges
in the toe of a stocking. He reaches in,
into the past without looking.
It's as if it were my own story
and he may not recognize himself.

That's my mother bathing me 
as I stand in the wash tub in front of 
the green enamel, chrome trimmed stove. 
I grimace, then giggle, as rinse water 
pours over my head, down  my body. 
She brushes wet hair from my face.



The Homestead

At the auction we withheld a dusty 
framed photograph of The Homestead as it was 
in nineteen thirty. In the picture's lower 
foreground flakes of foam float on waves of grass,
blurry images of Queen Anne's Lace in bloom.

The buildings, burned, in eighteen sixty and
rebuilt, had been repaired, expanded, revised, 
modernized. Dormer windows budded from roofs.
Ell and shed became dining room and kitchen.
In the barn the hayloft became a dance hall.

The picture was taken from this un-mown meadow where, 
age four, I would have played and where, ten years
after the auction, I kneel, age sixty-three, to
photograph where The Homestead had been. Queen Anne's
Lace flowers lie like giant snowflakes in the grass.

Friday, November 25, 2011

DELAYED THANKSGIVING


Plus ça change

Those savages may not
have a written language
but they'll understand,
Miles standish said, as
he mounted Wituwamat's
hear on a pike by the gate.
Terror unto others,
Governor Bradford wrote.

We'd call it making a statement, 
diplomacy by drones.

I had intended to post this with new verse news but Jim remembered, and I didn't, that he had used a slightly different version five years ago. So much for memorable poems.

Friday, November 11, 2011

VETERANS DAY 11/11/2011


Veteran's Day

In the outskirts of small cities and towns
in the boot-leather tough American heart-land
from Iowa to Idaho where the suburbs quickly
fade into prairie, barrens or bad-lands you
may see our national bird, the bald eagle, perched
on the rim of rusty dumpsters in the hunt
for commercial carrion. They show the same
"make-do, can-do" spirit that made America
a great nation, showing the same adaptability
and persistence of pioneer spirit as our
homeless veterans bivouacked under bridge
abutments and vacant lots across the country.



[POSTED TODAY ON NEWVERSENEWS]

Thursday, October 13, 2011

I keep forgetting I have a blog

The title says it all.  Having a few minutes, here is my latest political poem, recently posted on newversenews.




The Prime Minister Muses...

Reviewing my visit to America
an advisor tells me of those who are
Native Americans, but we call
red indians. Their leaders say they all
understand our plight, the similarities
between ours and their troubled history.
The land on which they lived became the prize
of French and British wars. To their surprise
they found they lost their own land whoever won.
How could a king across the sea give someone
else your country? It's as if they didn't know
people already lived there: some still treat us so.

It's clear I should have studied their history
when I addressed the UN assembly.
I should have said I'm Mahmoud, chief of the
Palestinian tribe. To Israelis,
their allies, I say: we will be a nation.
 We are too many for any reservation.
That, until the once Dead Sea rises again
we will be ourselves, Palestinians,
and as long as the Jordan River flows
we will be there as either friends or floes.


(At least I didn't suggest casinos in Gaza.)

Sunday, September 18, 2011

MEASURE OF HUMANKIND

In Dana Wilde's review of Wildness Within Walking Distance he made comments  relating to my kinship with Thoreau and my tendency, as a scientist, to reinforce my poems with evidence. Shortly after reading the review I uncovered, by coincidence (honestly) the poem I'm pasting here, written some years ago.




Measured Response

In spring when the first geese arrive,
confirming the season: when migrant
flocks pass in fall, it's hard to resist 
the temptation to count them all.
Don't you ever, reading Leaves Of Grass.
wonder how many there actually are?

This morning water striders are dotting
the pond. Each jerky stride dimples
the surface, sparking a flash of
reflected light. If I count flashes
per square yard, assuming uniform
distribution, know the pond's area —

At five PM, November twenty-third,
eighteen fifty-three, Thoreau notes
thirty-six geese flying high, south west, 
in the usual harrow formation. 
He assumed an average wing span 
so they were flying eight feet apart.

I'm not alone it seems in trying
to tie numbers to the experienced
as if all had been seen. The setting
sun in Concord, a rising breeze
in Poland Spring ends calculations.
Both scenes survive menstruation.

Perhaps the urge to measure, to count, is a basic human trait. Or am I over reaching here. It's surely not just scientists and naturalists but, perhaps, not everyone.

Wednesday, August 24, 2011

A HUG FROM AUNT LILA

Asked by an editor to offer an example of the New England, Maine, culture behind my poetry I offered a description of my surprise when my Aunt Lila hugged me as family and friends gathered for my mother's funeral. When the account was published an illustration was added. Obviously the artist belonged to a different culture, or a more recent one, and I was depicted as a small boy. The poem , written later, was a response to the illustration. The poem was published, in a slightly different version, in a journal with the unlikely title of The League of Laboring Poets. As a current non-event I should add that , in  Poland Spring, as far as we could sense, the only earthquake was on the six o'clock news.


  Aunt Lila
They asked for an example
of that Down East Yankee reticence
they’d heard about, some incident —
Well, I said, you could do worse
than hearing what Aunt Lila did
at mother’s funeral: Lila, the youngest,
the last survivor of grandmother
Chute’s five ,children.
I can see her waiting, thin, fragile, 
outside the church: stepping up 
to give me a sudden brief hug,
ππmumbling a few words, then
releasing me. I can’t recall
any family member, mother, sister, 
aunt or uncle ever making such 
a display before.
A shy boy, a taciturn, loving aunt?
The boy, born long before
the dawn of this hug-hug, kiss-kiss age,
was a grown man with children
of his own and that embrace is
what he remembers best from a sad day 
half a century away. 

            [much later I remembered}

I remember Aunt Lilla as a woman,
tall, thin, brittle, not as father did, as
his young sister who helped him care for
grandfather's milk cows, pigs, chickens.
She had married Everett Bean whose
summer business was speedboat rides for tourists,
his Chris-Crafts all varnish, polish, and shine.

I was given a wind-up, painted model
of his boats. His were shark slim, cedar,
mahogany, and brass. A ten minute
one dollar ride always ended with
a sharp high speed turn, a shock of spray
and shrieks of surprise. Then the boat
wallowing, the engine's deep throated chuckle.

Uncle Everett must have had more to offer
than the thrill of a fast boat ride. Women,
specially the young pretty ones, sat up front
with him. Then, one summer, he took up
with one of our guests, a single lady
from Philadelphia who rented a cabin
for the summer. That fall they left together. 

One morning Everett dropped by for coffee.
"Some storm last night", he said. "Lightning
hit a big pine behind the camp. Both Martha
and me sat right up in bed." We were in
the hotel kitchen. My mother was there.
It was about then that "the lady from
Philadelphia" became just "that woman".

If I'd payed more attention I'd have learned sooner
women as well as men enjoy sex. The paint
on my model boat peeled. Then the spring broke.